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My family holds reunions at the St. Peter’s church virtually every summer, just north of Selkirk and on the banks of the Red River in southern Manitoba. Growing up, I never knew why we did, nor cared really; the homemade pie was far more of a concern. Last summer, we held races, a candy scramble, and [...] . . . → Read More: Manitowapow: A Preview FILMS REVIEWED: Windigo 11 min | 2009 | Canada Directed by Kris Happyjack-McKenzie Screens at imagineNATIVE Friday Oct. 22 @ 9 pm, Al Green Theatre (Bloor at Spadina) MI Rating: ★★★ (out of 5) —————— ◊ —————— A Flesh Offering 95 min | 2010 | Canada Directed by Jeremy Torrie. Starring Kaniehtho Horn & Eric Schweig. Screens at imagineNATIVE Friday Oct. 22 @ 9 pm, Al [...] . . . → Read More: REVIEWS: ‘Windigo,’ ‘A Flesh Offering’ & ‘A Windigo Tale’ at imagineNATIVE 2010 Picking up where Part One left off, this piece is the second in a two-part response to Frances Widdowson and Albert Howard’s Disrobing the Aboriginal Industry: The Deception Behind Indigenous Cultural Preservation. It originally appeared in somewhat different forms in guest editorial/commentaries for Kanata (Vol. 1) and the Winter 2009 (#203) issue of Canadian Literature: A Quarterly of [...] . . . → Read More: An Ink-stained Response to ‘Disrobing the Aboriginal Industry’ (Pt. 2)  5 comments  ARTS+CULTURE, ISSUES+POLITICS  Albert Howard, Arthur Ray, Bonita Lawrence, Cheryl Suzack, Chris Anderson, Daniel Francis, Daniel Heath Justice, Daniel Morley Johnson, David Newhouse, Deanna Reder, Emma Laroque, Frances Widdowson, Glen Coulthard, Gordon Johnston, J. Edward Chamberlain, Jo-Ann Episkenew, John Borrows, Keavy Martin, Kristina Fagan, Leanne Simpson, Linc Kesler, Margery Fee, Neal McLeod, Olive Dickason, Paul DePasquale, Peter Kulchyski, Renate Eigenbrod, Sam McKegney The following piece originally appeared in somewhat different forms in guest editorials/commentaries for Kanata (Vol. 1) and Canadian Literature: A Quarterly of Criticism and Review in its Winter 2009 (#203) issue. I’ve always hated pencils and erasers. I was first forced in grade two to use them, in handwriting class. My teacher said, “We use pencils and erasers [...] . . . → Read More: An Ink-stained Response to ‘Disrobing the Aboriginal Industry’ (Pt. 1) I'm hesitant to appear misogynist by commenting here, so I'll let this advertisement speak for itself. Cause it does. It really, really does. In 1976, two major events happened. The first, my birth, went largely unnoticed — except of course by my parents and family. Now, thirty-four years later, I join with the other members of mediaINDIGENA in another “birth” of sorts — one that we hope won’t go unnoticed. Here’s to a fair and balanced conversation beginning among us and [...] . . . → Read More: A Beginning and an Ending, FNUC and mediaINDIGENA |
     
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